| Towards a perceptual model of “punch” in musical signals S Fenton, H Lee Audio Engineering Society Convention 139, 2015 | 16 | 2015 |
| Objective measurement of music quality using inter-band relationship analysis S Fenton, B Fazenda, J Wakefield Audio Engineering Society Convention 130, 2011 | 15 | 2011 |
| Objective profiling of perceived punch and clarity in produced music S Fenton, J Wakefield Audio Engineering Society Convention 132, 2012 | 14 | 2012 |
| Automatic mixing of multitrack material using modified loudness models S Fenton Audio Engineering Society Convention 145, 2018 | 6 | 2018 |
| Elicitation and objective grading of punch within produced music S Fenton, H Lee, J Wakefield Audio Engineering Society Convention 136, 2014 | 6 | 2014 |
| A Perceptual Model of “Punch” Based on Weighted Transient Loudness S Fenton, H Lee Journal of the Audio Engineering Society 67 (6), 429-439, 2019 | 5 | 2019 |
| Real-time system for the measurement of perceived punch A Parker, S Fenton, H Lee Audio Engineering Society Convention 145, 2018 | 3 | 2018 |
| Evaluation of a Perceptually-Based Model of “Punch” with Music Material S Fenton, H Lee, J Wakefield Audio Engineering Society Convention 141, 2016 | 3 | 2016 |
| Hybrid Multiresolution Analysis of “Punch” in Musical Signals S Fenton, H Lee, J Wakefield Audio Engineering Society Convention 138, 2015 | 3 | 2015 |
| A semantically motivated gestural interface for the control of a dynamic range compressor T Wilson, S Fenton, M Stephenson Audio Engineering Society Convention 138, 2015 | 3 | 2015 |
| Objective quality measurement of audio using multiband dynamic range analysis S Fenton, B Fazenda, JP Wakefield | 3 | 2009 |
| Alternative weighting filters for multi-track program loudness measurement S Fenton, H Lee Audio Engineering Society Convention 143, 2017 | 2 | 2017 |
| Can Transistors Sound like Valves? M Aitchison, S Fenton University of Huddersfield, 2010 | 2 | 2010 |
| Mix Clarity Prediction using Multiresolution Inter-Band Relationship Analysis A Parker, S Fenton Audio Engineering Society Convention 148, 2020 | 1 | 2020 |
| Two Dimensional Gestural Control of Audio Processing T Wilson, S Fenton Audio Engineering Society Convention 136, 2014 | 1 | 2014 |
| Musical Mix Clarity Prediction Using Decomposition and Perceptual Masking Thresholds A Parker, S Fenton Applied Sciences 11 (20), 9578, 2021 | | 2021 |
| Modelling of the Fender Bassman 5F6-A Tone Stack S Fenton arXiv preprint arXiv:2110.02285, 2021 | | 2021 |
| A Perceptual Model of Musical Mix Clarity using Decomposition and Masking Thresholds A Parker, S Fenton | | 2021 |
| Development of a Real-time Punch Meter Plugin A Parker, S Fenton, H Lee 4th Workshop on Intelligent Music Production, 2018 | | 2018 |
| Audio Dynamics: Towards a Perceptual Model of'punch'. SM Fenton University of Huddersfield, 2017 | | 2017 |
Hyunkook LeeReader (Associate Professor), University of HuddersfieldVerified email at hud.ac.uk
