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Pauline Larrouy Maestri
Pauline Larrouy Maestri
Max Planck Institute for Empirical Aesthetics, Germany
Verified email at aesthetics.mpg.de - Homepage
Title
Cited by
Cited by
Year
The evaluation of singing voice accuracy: A comparison between subjective and objective methods
P Larrouy-Maestri, Y Lévêque, D Schön, A Giovanni, D Morsomme
Journal of Voice 27 (2), 259. e1-259. e5, 2013
742013
Singing ability is rooted in vocal-motor control of pitch
S Hutchins, P Larrouy-Maestri, I Peretz
Attention, Perception, & Psychophysics 76, 2522-2530, 2014
442014
Criteria and tools for objectively analysing the vocal accuracy of a popular song
P Larrouy-Maestri, D Morsomme
Logopedics Phoniatrics Vocology 39 (1), 11-18, 2014
412014
The mistuning perception test: A new measurement instrument
P Larrouy-Maestri, PMC Harrison, D Müllensiefen
Behavior Research Methods 51, 663-675, 2019
342019
The effects of stress on singing voice accuracy
P Larrouy-Maestri, D Morsomme
Journal of Voice 28 (1), 52-58, 2014
312014
The effect of smoking on the fundamental frequency of the speaking voice
MR Ayoub, P Larrouy-Maestri, D Morsomme
Journal of Voice 33 (5), 802. e11-802. e16, 2019
292019
On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation?
PQ Pfordresher, P Larrouy-Maestri
Frontiers in Human Neuroscience 9, 271, 2015
292015
Vocal features of song and speech: Insights from Schoenberg's Pierrot Lunaire
J Merrill, P Larrouy-Maestri
Frontiers in psychology 8, 1108, 2017
272017
Effects of melody and technique on acoustical and musical features of western operatic singing voices
P Larrouy-Maestri, D Magis, D Morsomme
Journal of Voice 28 (3), 332-340, 2014
262014
The evaluation of vocal pitch accuracy: The case of operatic singing voices
P Larrouy-Maestri, D Magis, D Morsomme
Music Perception: An Interdisciplinary Journal 32 (1), 1-10, 2014
252014
Gibbs sampling with people
P Harrison, R Marjieh, F Adolfi, P van Rijn, M Anglada-Tort, ...
Advances in neural information processing systems 33, 10659-10671, 2020
242020
The paradoxical role of emotional intensity in the perception of vocal affect
N Holz, P Larrouy-Maestri, D Poeppel
Scientific reports 11 (1), 9663, 2021
222021
The ACM Multimedia 2022 Computational Paralinguistics Challenge: Vocalisations, Stuttering, Activity, & Mosquitoes
B Schuller, A Batliner, S Amiriparian, C Bergler, M Gerczuk, N Holz, ...
Proceedings of the 30th ACM International Conference on Multimedia, 7120-7124, 2022
182022
“I know it when I hear it” On listeners’ perception of mistuning
P Larrouy-Maestri
Music & Science 1, 2059204318784582, 2018
172018
Layman versus Professional Musician: Who Makes the Better Judge?
P Larrouy-Maestri, D Magis, M Grabenhorst, D Morsomme
Plos One, 2015
172015
Pitch perception in music: Do scoops matter?
P Larrouy-Maestri, PQ Pfordresher
Journal of Experimental Psychology: Human Perception and Performance 44 (10 …, 2018
152018
The benefit of musical and linguistic expertise on language acquisition in sung material
P Larrouy-Maestri, J Leybaert, R Kolinsky
Musicae Scientiae 17 (2), 217-228, 2013
142013
Exploring emotional prototypes in a high dimensional TTS latent space
P Van Rijn, S Mertes, D Schiller, P Harrison, P Larrouy-Maestri, E André, ...
arXiv preprint arXiv:2105.01891, 2021
72021
Lay listeners can evaluate the pitch accuracy of operatic voices
P Larrouy-Maestri, D Morsomme, D Magis, D Poeppel
Music Perception: An Interdisciplinary Journal 34 (4), 489-495, 2017
72017
The variably intense vocalizations of affect and emotion (VIVAE) corpus prompts new perspective on nonspeech perception.
N Holz, P Larrouy-Maestri, D Poeppel
Emotion 22 (1), 213, 2022
52022
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Articles 1–20