| Real-time feedback in the singing studio: an innovatory action-research project using new voice technology GF Welch, DM Howard, E Himonides, J Brereton Music Education Research 7 (2), 225-249, 2005 | 137 | 2005 |
| WinSingad: A real-time display for the singing studio DM Howard, GF Welch, J Brereton, E Himonides, M DeCosta, J Williams, ... Logopedics Phoniatrics Vocology 29 (3), 135-144, 2004 | 72 | 2004 |
| Range of tuning for tones with and without vibrato RMV Besouw, JS Brereton, DM Howard Music Perception 26 (2), 145-155, 2008 | 55 | 2008 |
| Real virtuality: A step change from virtual reality A Chalmers, D Howard, C Moir Proceedings of the 25th Spring Conference on Computer Graphics, 9-16, 2009 | 49 | 2009 |
| Are real-time displays of benefit in the singing studio? An exploratory study DM Howard, J Brereton, GF Welch, E Himonides, M DeCosta, J Williams, ... Journal of Voice 21 (1), 20-34, 2007 | 49 | 2007 |
| Acoustic heritage and audio creativity: the creative application of sound in the representation, understanding and experience of past environments D Murphy, S Shelley, A Foteinou, J Brereton, H Daffern Council for British Archaeology, 2017 | 34 | 2017 |
| VOXed: Technology as a meaningful teaching aid in the singing studio GF Welch, E Himonides, DM Howard, J Brereton Proceedings of the conference on interdisciplinary musicology (cim04), 2004 | 34 | 2004 |
| Singing together, yet apart: the experience of UK choir members and facilitators during the Covid-19 pandemic H Daffern, K Balmer, J Brereton Frontiers in psychology 12, 624474, 2021 | 30 | 2021 |
| Body, sound and space in music and beyond: multimodal explorations C Wöllner Taylor & Francis, 2017 | 25 | 2017 |
| Four-part choral synthesis system for investigating intonation in a cappella choral singing DM Howard, H Daffern, J Brereton Logopedics Phoniatrics Vocology 38 (3), 135-142, 2013 | 22 | 2013 |
| The impact of gender on conference authorship in audio engineering: Analysis using a new data collection method K Young, M Lovedee-Turner, J Brereton, H Daffern IEEE Transactions on Education 61 (4), 328-335, 2018 | 14 | 2018 |
| Distinguishing characteristics of vocal techniques in the specialist performance of early music H Daffern University of York, 2008 | 12 | 2008 |
| A loudspeaker-based room acoustics simulation for real-time musical performance J Brereton, D Murphy, D Howard Audio Engineering Society Conference: UK 25th Conference: Spatial Audio in …, 2012 | 10 | 2012 |
| An e-learning tool for reflective practice and enhancing employability among engineering students B Baruah, T Ward, J Brereton 2017 27th EAEEIE Annual Conference (EAEEIE), 1-6, 2017 | 8 | 2017 |
| Gender in music production R Hepworth-Sawyer, J Hodgson, L King, M Marrington CRC Press, 2020 | 7 | 2020 |
| Design of an interactive virtual reality system for ensemble singing G Kearney, H Daffern, L Thresh, H Omodudu, C Armstrong, J Brereton Interactive Audio Systems Symposium, York, UK, 2016 | 7 | 2016 |
| Quantitative voice quality analyses of a soprano singing early music in three different performance styles DM Howard, H Daffern, J Brereton Biomedical Signal Processing and Control 7 (1), 58-64, 2012 | 7 | 2012 |
| Evaluating the Auralization of Performance Spaces and its Effect on Singing Performance J Brereton, D Murphy, DM Howard Audio Engineering Society Convention 130, 2011 | 7 | 2011 |
| The Virtual Singing Studio: A loudspeaker-based room acoustics simulation for real-time musical performance JS Brereton, DT Murphy, DM Howard Joint Baltic-Nordic Acoustic Meeting, 1-8, 2012 | 6 | 2012 |
| Towards a novel real-time visual display for singing training DM Howard, GF Welch, J Brereton, E Himonides Third International Workshop on Models and Analysis of Vocal Emissions for …, 2003 | 6 | 2003 |
Evangelos HimonidesProfessor of Technology, Education, and Music, UCL Institute of Education, University College LondonVerified email at ucl.ac.uk
