Jude Brereton

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Evangelos HimonidesProfessor of Technology, Education, and Music, University College LondonVerified email at ucl.ac.uk
Helena DaffernProfessor, University of YorkVerified email at york.ac.uk
David M HowardProfessor of Electronic Engineering, Royal HollowayVerified email at rhul.ac.uk
Damian T MurphyUniversity of YorkVerified email at york.ac.uk
Graham WelchChair of Music Education, UCL Institute of EducationVerified email at ucl.ac.uk
Kat YoungSTEM Learning, University of YorkVerified email at stem.org.uk
Alan ChalmersProfessor of Visualisation, University of Warwick, UKVerified email at warwick.ac.uk
Clemens WöllnerProfessor für Systematische Musikwissenschaft, Hochschule für Musik FreiburgVerified email at mh-freiburg.de
Bidyut BaruahUniversity of YorkVerified email at york.ac.uk
Daniel A. WalzerAssistant Professor of Music Technology, IUPUIVerified email at iu.edu
Professor Gavin KearneyProfessor of Audio Engineering, University of YorkVerified email at york.ac.uk
Francis StevensUniversity of YorkVerified email at york.ac.uk
Joseph W. NewboldLecturer at Northumbria UniversityVerified email at northumbria.ac.uk
Dr Tim BrookesIoSR, University of SurreyVerified email at surrey.ac.uk
Bethan JonesUniversity of YorkVerified email at york.ac.uk
Geoffrey CoxSenior Lecturer in Music Technology, University of HuddersfieldVerified email at hud.ac.uk
Jonathan BurtonLecturer Entertainment Electronics, University of DerbyVerified email at derby.ac.uk
Radoslaw RudnickiStockholm Environment Institute, University of YorkVerified email at york.ac.uk
Paul WaltonUniversity of YorkVerified email at york.ac.uk

Jude Brereton

Theatre, Film, TV and Interactive Media, University of York

Verified email at york.ac.uk

music analysis performance and perception inclusive music technology education


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Real-time feedback in the singing studio: an innovatory action-research project using new voice technology GF Welch, DM Howard, E Himonides, J Brereton Music education research 7 (2), 225-249, 2005	149	2005
Singing together, yet apart: the experience of UK choir members and facilitators during the Covid-19 pandemic H Daffern, K Balmer, J Brereton Frontiers in psychology 12, 624474, 2021	76	2021
WinSingad: A real-time display for the singing studio DM Howard, GF Welch, J Brereton, E Himonides, M DeCosta, J Williams, ... Logopedics Phoniatrics Vocology 29 (3), 135-144, 2004	72	2004
Range of tuning for tones with and without vibrato RMV Besouw, JS Brereton, DM Howard Music Perception 26 (2), 145-155, 2008	56	2008
Are real-time displays of benefit in the singing studio? An exploratory study DM Howard, J Brereton, GF Welch, E Himonides, M DeCosta, J Williams, ... Journal of Voice 21 (1), 20-34, 2007	54	2007
Real virtuality: A step change from virtual reality A Chalmers, D Howard, C Moir Proceedings of the 25th Spring Conference on Computer Graphics, 9-16, 2009	51	2009
Acoustic heritage and audio creativity: the creative application of sound in the representation, understanding and experience of past environments D Murphy, S Shelley, A Foteinou, J Brereton, H Daffern Council for British Archaeology, 2017	36	2017
VOXed: Technology as a meaningful teaching aid in the singing studio GF Welch, E Himonides, DM Howard, J Brereton Proceedings of the conference on interdisciplinary musicology (cim04), 2004	36	2004
Body, sound and space in music and beyond: multimodal explorations C Wöllner Taylor & Francis, 2017	33	2017
Four-part choral synthesis system for investigating intonation in a cappella choral singing DM Howard, H Daffern, J Brereton Logopedics Phoniatrics Vocology 38 (3), 135-142, 2013	24	2013
The impact of gender on conference authorship in audio engineering: Analysis using a new data collection method K Young, M Lovedee-Turner, J Brereton, H Daffern IEEE Transactions on Education 61 (4), 328-335, 2018	17	2018
An e-learning tool for reflective practice and enhancing employability among engineering students B Baruah, T Ward, J Brereton 2017 27th EAEEIE Annual Conference (EAEEIE), 1-6, 2017	12	2017
Quantitative voice quality analyses of a soprano singing early music in three different performance styles DM Howard, H Daffern, J Brereton Biomedical Signal Processing and Control 7 (1), 58-64, 2012	12	2012
A loudspeaker-based room acoustics simulation for real-time musical performance J Brereton, D Murphy, D Howard Audio Engineering Society Conference: UK 25th Conference: Spatial Audio in …, 2012	11	2012
Gender in music production R Hepworth-Sawyer, J Hodgson, L King, M Marrington CRC Press, 2020	10	2020
Design of an interactive virtual reality system for ensemble singing G Kearney, H Daffern, L Thresh, H Omodudu, C Armstrong, J Brereton Interactive Audio Systems Symposium, York, UK, 2016	10	2016
Evaluating the Auralization of Performance Spaces and its Effect on Singing Performance J Brereton, D Murphy, DM Howard Audio Engineering Society Convention 130, 2011	9	2011
Sonicules-Designing drugs with sound: approaches to sound design for film, audiovisual performance and interactive sonification R Rudnicki, J Brereton DOCUMENTARY FILM AND THE LISTENING EXPERIENCE, 69, 2018	7*	2018
Singing in Space (s): Singing performance in real and virtual acoustic environments-Singers' evaluation, performance analysis and listeners' perception J Brereton University of York, 2014	7	2014
Chemical spectral analysis through sonification JW Newbold, A Hunt, J Brereton Georgia Institute of Technology, 2015	6	2015

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