| The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets M Neuwirth, D Harasim, FC Moss, M Rohrmeier Frontiers in Digital Humanities 5 (16), 2018 | 94 | 2018 |
| Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets FC Moss, M Neuwirth, D Harasim, M Rohrmeier PLOS ONE 14 (6), e0217242, 2019 | 52 | 2019 |
| The pleasantness of sensory dissonance is mediated by musical style and expertise T Popescu, MP Neuser, M Neuwirth, F Bravo, W Mende, O Boneh, ... Scientific reports 9 (1), 1070, 2019 | 48 | 2019 |
| Exploring the foundations of tonality: Statistical cognitive modeling of modes in the history of Western classical music D Harasim, FC Moss, M Ramirez, M Rohrmeier Humanities and Social Sciences Communications 8 (1), 1-11, 2021 | 26 | 2021 |
| Transitions of tonality: a model-based corpus study FC Moss EPFL, 2019 | 14 | 2019 |
| Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis FC Moss, WF Souza, M Rohrmeier Journal of New Music Research 49 (5), 416-437, 2020 | 13 | 2020 |
| The line of fifths and the co-evolution of tonal pitch-classes FC Moss, M Neuwirth, M Rohrmeier Journal of Mathematics and Music 17 (2), 173-197, 2023 | 11 | 2023 |
| A Formal Model of Extended Tonality M Rohrmeier, FC Moss 22nd International Society for Music Information Retrieval Conference, 569-578, 2021 | 11 | 2021 |
| The tonal diffusion model R Lieck, FC Moss, M Rohrmeier Transactions of the International Society for Music Information Retrieval 3 (1), 2020 | 11 | 2020 |
| Wavescapes: A visual hierarchical analysis of tonality using the discrete Fourier transform C Viaccoz, D Harasim, FC Moss, M Rohrmeier Musicae Scientiae 27 (2), 390-427, 2023 | 8 | 2023 |
| A Historical Analysis of Harmonic Progressions using Chord Embeddings E ANZUONI, S AYHAN, F DUTTO, A MCLEOD, FC MOSS, ... | 8 | 2021 |
| Towards a unified model of chords in western harmony J Hentschel, FC Moss, A McLeod, M Neuwirth, M Rohrmeier Universidad de Alicante, 2022 | 7 | 2022 |
| A semi-automated workflow paradigm for the distributed creation and curation of expert annotations J Hentschel, FC Moss, M Neuwirth, M Rohrmeier Proceedings of the 22nd International Society for Music Information …, 2021 | 6 | 2021 |
| A model comparison for chord prediction on the Annotated Beethoven Corpus K Landsnes, L Mehrabyan, V Wiklund, R Lieck, FC Moss, MA Rohrmeier Proceedings of the 16th Sound & Music Computing Conference, 250-254, 2019 | 5 | 2019 |
| Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music FC Moss International Conference of Students of Systematic Musicology, 2014 | 4 | 2014 |
| midiVERTO: A web application to visualize tonality in real time D Harasim, G Affatato, FC Moss International Conference on Mathematics and Computation in Music, 363-368, 2022 | 3 | 2022 |
| FAIR, Open, Linked: Introducing the Special Issue on Open Science in Musicology FC Moss, M Neuwirth Empirical Musicology Review 16 (1), 1-4, 2021 | 3 | 2021 |
| An annotated corpus of tonal piano music from the long 19th century J Hentschel, Y Rammos, FC Moss, M Neuwirth, M Rohrmeier Empirical Musicology Review 18 (1), 84-95, 2023 | 2 | 2023 |
| Totoli's Art of Lelegesan: Analyzing Sociocultural Context and Musical Content C Bracks, FC Moss OSF, 2022 | 1 | 2022 |
| Discovering Tonal Profiles with Latent Dirichlet Allocation FC Moss, M Rohrmeier Music & Science 4, 20592043211048827, 2021 | 1 | 2021 |
Martin RohrmeierAssociate Professor of Digital Musicology, École Polytechnique Fédérale de LausanneVerified email at epfl.ch
