William Forde Thompson

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Frank RussoProfessor of Psychology, Toronto Metropolitan UniversityVerified email at torontomu.ca
Kirk N. OlsenResearch Centre Manager, Australian Institute of Health Innovation, Macquarie UniversityVerified email at mq.edu.au
Lena QuintoVerified email at mq.edu.au
Steven R. LivingstoneOntario Tech UniversityVerified email at ontariotechu.ca
Xuejing LuInstitute of Psychology, Chinese Academy of SciencesVerified email at psych.ac.cn
Paolo AmmiranteToronto Metropolitan UniversityVerified email at torontomu.ca
Lauren StewartProfessor in Psychology, Goldsmiths University of LondonVerified email at gold.ac.uk
Genevieve McArthurMacquarie University Centre for ReadingVerified email at mq.edu.au
Weiyi MaUniversity of ArkansasVerified email at uark.edu
Varghese PeterSchool of Health and Behavioural Sciences, University of the Sunshine CoastVerified email at usc.edu.au
Deborah RichardsProfessor, Department of Computing, Macquarie UniversityVerified email at mq.edu.au
Eric FassbenderResearch Fellow New MediaVerified email at atmosphaeres.com
Fang LiuAssociate Professor, School of Psychology & Clinical Language Sciences, University of ReadingVerified email at uchicago.edu
Manuela M. MarinUniversity of Vienna, AustriaVerified email at uibk.ac.at
Jon PrinceMurdoch UniversityVerified email at murdoch.edu.au
Mark A. SchmucklerUniversity of Toronto ScarboroughVerified email at utsc.utoronto.ca
A/Prof. Ayse Aysin BilginMacquarie UniversityVerified email at mq.edu.au
Lincoln CollingUniversity of SussexVerified email at sussex.ac.uk
Ronald RanvaudDepartamento de Fisiologia e Biofísica, Instituto de Ciências Biomédicas, Universidade de São PauloVerified email at usp.br
Tuomas EerolaDurham University, UKVerified email at durham.ac.uk

William Forde Thompson

Bond University, Faculty of Society and Design; and Macquarie University, Department of Psychology

Verified email at mq.edu.au - Homepage

music cognition emotion facial expressions language


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Arousal, mood, and the Mozart effect WF Thompson, EG Schellenberg, G Husain Psychological science 12 (3), 248-251, 2001	1030	2001
A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues LL Balkwill, WF Thompson Music perception 17 (1), 43-64, 1999	1010	1999
Effects of musical tempo and mode on arousal, mood, and spatial abilities G Husain, WF Thompson, EG Schellenberg Music perception 20 (2), 151-171, 2002	888	2002
Decoding speech prosody: Do music lessons help? WF Thompson, EG Schellenberg, G Husain Emotion 4 (1), 46, 2004	466	2004
A comparison of acoustic cues in music and speech for three dimensions of affect G Ilie, WF Thompson Music Perception 23 (4), 319-330, 2006	412	2006
Music, Thought, and Feeling: Understanding the Psychology of Music WF Thompson Oxford University press, 2014	404	2014
Who enjoys listening to sad music and why? JK VuosKosKi, WF Thompson, D McIlwain, T Eerola Music Perception 29 (3), 311-317, 2012	394	2012
Seeing music performance: Visual inﬂuences on perception and experience WF Thompson, P Graham, FA Russo Walter de Gruyter 2005 (156), 203-227, 2005	349	2005
Recognition of emotion in Japanese, Western, and Hindustani music by Japanese listeners¹ LL Balkwill, WF Thompson, RIE Matsunaga Japanese Psychological Research 46 (4), 337-349, 2004	322	2004
Fast and loud background music disrupts reading comprehension WF Thompson, EG Schellenberg, AK Letnic Psychology of Music 40 (6), 700-708, 2012	234	2012
Decoding speech prosody in five languages WF Thompson, LL Balkwill Walter de Gruyter 2006 (158), 407-424, 2006	222	2006
Deficits in facial emotion perception in adults with recent traumatic brain injury REA Green, GR Turner, WF Thompson Neuropsychologia 42 (2), 133-141, 2004	221	2004
Can composers express emotions through music? WF Thompson, B Robitaille Empirical studies of the arts 10 (1), 79-89, 1992	197	1992
Assessing music performance: Issues and influences GE McPherson, WF Thompson Research Studies in Music Education 10 (1), 12-24, 1998	170	1998
Reduced sensitivity to emotional prosody in congenital amusia rekindles the musical protolanguage hypothesis WF Thompson, MM Marin, L Stewart Proceedings of the National Academy of Sciences 109 (46), 19027-19032, 2012	165	2012
The emergence of music from the Theory of Mind SR Livingstone, WF Thompson Musicae Scientiae 13 (2_suppl), 83-115, 2009	145	2009
Perceiving prosody in speech: Effects of music lessons WF Thompson, EG Schellenberg, G Husain Annals of the New York Academy of Sciences 999 (1), 530-532, 2003	143	2003
Audio-visual integration of emotional cues in song WF Thompson, FA Russo, L Quinto Cognition and Emotion 22 (8), 1457-1470, 2008	133	2008
Cross-cultural similarities and differences WF Thompson, LL Balkwill Handbook of Music and Emotion: Theory, Research, Applications, Chapter 27 …, 2010	131	2010
VirSchool: The effect of background music and immersive display systems on memory for facts learned in an educational virtual environment E Fassbender, D Richards, A Bilgin, WF Thompson, W Heiden Computers & Education 58 (1), 490-500, 2012	106	2012

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