| ‘There Must Be a Poetry of Sound That None of Us Knows…’: Early British documentary film and the prefiguring of musique concrète G Cox Organised Sound 22 (2), 172-186, 2017 | 10 | 2017 |
| A Return to the Future or Forward to the Past? G Cox Contemporary Music Review 29 (3), 251-264, 2010 | 10 | 2010 |
| ‘Connecting hearing to viewing and knowing to feeling’: Sound as evocation in non-fiction film with particular reference to No Escape (Cox, 2009) G Cox The Soundtrack 4 (1), 43-62, 2011 | 9 | 2011 |
| CineMusic? Constructing the film score D Cooper, C Fox, I Sapiro Cambridge Scholars Publishing, 2020 | 8 | 2020 |
| Soundings: Documentary film and the listening experience G Cox, J Corner University of Huddersfield Press, 2018 | 7 | 2018 |
| Listen to Nice G Cox The New Soundtrack 3 (2), 89-105, 2013 | 4 | 2013 |
| Largely a work of reference: a creative investigation into the use of borrowed musical materials in contemporary compositional practice GM Cox University of Huddersfield, 2007 | 2 | 2007 |
| CHAPTER FIVE PLANTING SOUNDS: RE-FRAMING THE ACOUSTIC ENVIRONMENT IN TREE PEOPLE (2014), THE STORY OF THE COLNE VALLEY TREE SOCIETY G COX The Place of Poetics within Documentary Filmmaking: The Art of Fact, 62, 2023 | | 2023 |
| Geoffrey Cox G Cox NEW SCIENTIST 245 (3309), 54-54, 2020 | | 2020 |
| The Colour of Scotland FA Jardine, G Cox | | 2019 |
| ‘Shape, Form, Colour’… and Music: Abstraction, Meaning, and Nostalgia in 1960s Scottish Industrial Documentary G Cox Music and Letters 99 (3), 386-426, 2018 | | 2018 |
| Introduction Biography G Cox, J Corner, A Berkenhoff, J Brereton, J Bulley, S Connor Soundings: Documentary film and the listening experience, 13-14, 2018 | | 2018 |
| Building a sonic image of a nation: Finnishdocumentary and propaganda films in the earlydecades of sound film G Cox, J Corner, A Berkenhoff, J Brereton, J Bulley, S Connor Soundings: Documentary film and the listening experience, 240-252, 2018 | | 2018 |
| Part 2: Foregrounding the Aesthetic: Strategies andPractices G Cox, J Corner, A Berkenhoff, J Brereton, J Bulley, S Connor Soundings: Documentary film and the listening experience, 83-84, 2018 | | 2018 |
| A'Symphony of Britain at War'or the'Rhythmof Workaday Britain'? Len Lye's When the PieWas Opened (1941) and the musicalisation ofwarfare. G Cox, J Corner, A Berkenhoff, J Brereton, J Bulley, S Connor Soundings: Documentary film and the listening experience, 220-235, 2018 | | 2018 |
| Soundings J Corner, G Cox University of Huddersfield Press, 2018 | | 2018 |
| Weave me a rainbow'the March, the March of colour and pattern'music and cinematography at the service of the creative promotion of the 1960s Scottish Woollen industry G Cox Soundings: Documentary Film and the Listening Experience, 37-67, 2018 | | 2018 |
| Mill Study G Cox, K Marley | | 2017 |
| ‘Sound was an end in itself’: Early documentary sound and the prefiguring of musique concrete G Cox University of Leeds, 2016 | | 2016 |
| Tree People: the story of the Colne Valley Tree Society G Cox University of Huddersfield, 2015 | | 2015 |
